Light artist Sally Weber utilizes holography, video, dimensional photography, and light installations to harness the elemental forces underlying all lifeforms in order to reveal the patterns of interconnection between us and them. Her work continually evolves as new revelations about the signatures of light, time, and space inform the elemental exchanges that bind us.

Weber earned her Master of Science in Visual Studies from the Center for Advanced Visual Studies at the Massachusetts Institute of Technology. She trained with Otto Piene, Director of CAVS and a founder of the seminal group Zero. Her studies in holography were with Harriet Casdin-Silver, a pioneer in the artistic uses of optical holography, and Dr. Stephen Benton, developer of the rainbow, white light hologram at Polaroid, later Director of CAVS.

She has produced numerous public art installations and private commissions, and exhibited nationally and internationally, including the Butler Institute of American Art in Youngstown, OH; the McNay Museum, San Antonio, TX; the Museo of Aveiro, Aveiro, Portugal; Kunsthalle, Budapest, Hungary; and the Osthaus Museum, Hagen, Germany.

Resume pdf | View more of Sally’s work at sallyweber.com

Selected Works

Installations

Elemental, Women and Their Work, VENUE?, Austin, Texas:

Speed of Shadows, 2012; Signature of the Source, 1997:

Public Art

Haven. Installation commissioned by the Arts Council of Fort Worth, Public Art Program, Fort Worth, TX:

Matrix. Commissioned for the E.P. Foster Library, Ventura, CA through Ventura Art and Public Place Program:

Evidence of Time. A pendulum light sculpture commissioned for the Moreno Valley Mall, Moreno Valley, CA:

Holographic Installations

Threshold of a Singularity - A Memorial 1989

Alignment 1987

Focalpoint 1982

Lightscape 1982